սա իր կայքն ա՝ http://www.elsadorfman.com/ իր մասին վիդեօներ են իւթիւբում՝ https://www.youtube.com/watch?v=Qa9QoXzPVSk https://www.youtube.com/watch?v=GbX7zXNhJng https://www.youtube.com/watch?v=9JEbOvoYm_k
սա ձեզ համար էքսկլիւզիւ նուէր՝ իր մասին ֆիլմ որը բարդ ա ճարել։
#ֆոտո
@{ petapixel (unofficial) ; petapixel@spyurk.am} 6/4/2020, 8:03:31 PM
Elsa Dorfman, Giant Polaroid Camera Photographer, Dies at 83
Elsa Dorfman, the portrait photographer best known for using one of the few giant Polaroid 20×24-inch cameras in existence, has died. She was 83.
Dorfman passed away from kidney failure on May 30th at her birthplace and hometown of Cambridge, Massachusetts, where lived and worked for over half a century.
Elsa Susan Dorfman was born on April 26, 1937. After studying French literature at Tufts University and starting out her career as a fifth-grade elementary school teacher, Dorfman was introduced to photography back in 1965 by a photographer named George Cope who worked in the same educational company as her. Over the following decades, Dorfman became a prominent portrait photographer.
In 1980, Dorfman had the opportunity to shoot with the ultra-rare 200-pound Polaroid 20×24 camera, of which only six were made in the late 1970s.
A self-portrait of Dorfman with her giant Polaroid camera, shot with another giant Polaroid camera. Photo by Elsa Dorfman and licensed under CC BY-SA 3.0.
“[S]he was smitten with the Polaroid’s power to render a painting-size image so rapidly that she and her subject could watch the likeness materialize together before their eyes,” the New York Times writes. “Polaroid deployed the cameras as public relations tools, often reserving them for famous photographers. But Ms. Dorfman pursued the company so relentlessly (‘I nagged them and I nagged them’) that it finally agreed to let her lease one for herself.”
That’s how Dorfman ended up with one of the six cameras for her private commercial use, and she spent the next three decades capturing 2-foot-tall portraits of all kinds of subjects, including famous individuals. Each portrait shoot cost clients $15,000 pre-tax.
Dorfman’s portrait of poet Allen Ginsberg. Photo by Elsa Dorfman and licensed under CC BY-SA 3.0.
Dorfman’s portrait of poet Denise Levertov. Photo by Elsa Dorfman and licensed under CC BY-SA 3.0.
Dorfman’s portrait of photographer Bruce Cratsley. Photo by Elsa Dorfman and licensed under CC BY-SA 3.0.
Impressively, Dorfman would operate the behemoth of a camera by herself.
“She ran this camera alone for 30 years, which is kind of insane,” Nafis Azad, the former director of 20×24 Studio, tells the NY Times. “Typically, two or three people run one of these things.”
When Polaroid went bankrupt in 2008, Dorfman stockpiled a year of film and convinced a friend to purchase 550 cases of it – the entire supply in existence. At the time of her retirement in 2015, Dorfman revealed that she had about half that supply left.
In 2016, Errol Morris released a documentary on her work titled The B-Side: Elsa Dorfman ’s Portrait Photography.
Dorfman’s work is now found in collections around the world, including at the National Portrait Gallery, San Francisco Museum of Modern Art, and Harvard Art Museums.
She is survived by her husband Harry Silverglate, son, two sisters, and two grandchildren.
Image credits: Header photo by Elsa Dorfman.
#industry #news #death #died #elsadorfman #obituary #passing #photographer #rip posted by pod_feeder_v2
Armen T. Marsoobian offers us the unique lens of the Dildilian family of Armenian photographers in provincial Anatolia. Around the turn of the twentieth century, the Dildilians worked to memorialize portraits of fragmenting families and to document everyday scenes in provincial cities such as Sivas, Samsun, and Merzifon. Marsoobian, himself a descendant of the Dildilians, has woven together the family’s remarkable photographic archive along with their memoirs and oral histories, to describe how through ingenuity and professional connections, the family and with them much of their art survived the genocide in 1915-16.
http://www.ottomanhistorypodcast.com/2016/08/armenian-photography-anatolia.html
#armenian #armenia #photography #history #1915 #armenian-genocide #marsoobian #family #photo #anatolia #podcast #photographer
I spent a great deal of my life being ignored. I was always very happy that way. Being ignored is a great privilege. That is how I think I learned to see what others do not see and to react to situations differently. I simply looked at the world, not really prepared for anything.
#saul_leiter #life #privilege #art #quote #photographer #photography
#yeghishe-charents #charents #translation #armenian #armenian-poetry #sevak #stepan-zoryan #stepan-zorian #zorian
#եղիշե֊չարենց #չարենց #թարգմանութիւն #հայկական֊պոեզիա #պոեզիա #սեւակ #սթեփան֊զորյան #սթեփան֊զորեան #զորեան #գիրք #գրքեր #կարդալ################
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Gary Hill ; therealgaryhill@joindiaspora.com} Ուր 11 Ապր 2014 01:32:15 AMT
Armenian poets…
#Photo #Photography #Photographer #MyWork #LondonBookFair #EarlsCourt #Books #Publishing #Armenia #Poets
via @{imandes ; imandes@spyurk.am}
