While turntablism and broader DJ practices should not be conflated, Katz suggests use or lack of use of the turntable broadly by women across genres and disciplines is impacted upon by what he defines as “male technophilia.”

Lucy Green has focused on gender in relation to musical performers and creators, and specifically on educational frameworks as they relate to both.[49] She suggests that women’s alienation from “areas that have a strong technological tendency such as DJ-ing, sound engineering and producing” are “not necessarily about her dislike of these instruments but relates to the interrupting effect of their dominantly masculine delineations.”

բնօրինակ սփիւռքում(եւ մեկնաբանութիւննե՞ր)